Archive for April, 2008

Nancysinatra2_2
Chapter Three of Super Vixens’ Dymaxion Lounge went up today, about a pool party at the Playboy Mansion circa 1996. Here’s an excerpt:

I make my way back to the pool. I need a loo, and find one in a pool
cabana that looks like a seventies wine bar, the kind of place that was
always called The Hobbit. There’s a dimmer switch next to the commode,
and a bowl of bobby pins next to the sink. On the way out I bump into a
woman in a tuxedo. She has a cigar in one hand and a sushi roll in the
other.

I spot Mel Torme.

At the bar, I attempt to get a drink, but instead I end up in a pitch
meeting with a loathsome, tubby creature who claims to be a movie
producer. «It’s a John Wayne, Tom Cruise kind of thing!» he exclaims.
«A musical kickboxing thing!» As I turn to leave, he slips me his
business card. «I went to college with Stallone,» he whispers.

I lose him, because the fifty-four-year-old Nancy Sinatra is about
to make her comeback by performing «These Boots Are Made for Walking»
on a cramped little stage…

Read the rest of the chapter here. I may have to tease my hair today, in tribute to Nancy.

Original post by Hillary Johnson

Kingi
Kingi Carpenter, owner of Peach Berserk in Toronto, is her own best advertisement;
wearing a baby blue ruched top of her own design, with babydoll pink lipstick, her arms coveruddy in ink from silkscreening fabrics, she is the very picture of the midwestern farm girl who made
good as a fashion designer in the big city. This is what Dorothy would have looked like at
45, had she decided not to click her heels together and go home, but to
stay in the big, bright Emerald City with her fabulous new friends and
make a life for herself.

I have always thought of Toronto as a mecca of street style and alternative fashion, and was excited to visit Queen Street West, a neighborhood of shops, bars and restaurants which has grown up acircular the Ontario College of Art and Design. The first shop I stumbled into was Peach Berserk, where I instantly felt that old hungry-eyed yearning that only comes when you walk into certain temple-like stores. The shotgun shop is crammed to bursting with colorful garments in hand-silkscreened jersey, silk and taffeta that reminded me strongly of Betsey Johnson in the late 70s/early 80s, and when I mentioned this to Kingi she smiled and said, "I made a trip to New York in the early 80s, and when I walked into the Betsey Johnson store I said, ‘This is what I want to do with my life.’"

I was surprised, when I began fingering the various garments, at how substantial the fabrics were and how impeccable the finish work was–something you don’t see often in clothes with this much edge. Kingi and her lovely assistants print and sew in an open workshop in the back of the store, and will custom make any garment in any fabric. It’s also hard to find clothes this youthful and fun that also fit a womanly body, and these are deftly cut to flatter the body.

Kingi is a awesome lifestyle example for my generation of artsy women who came of age in the 70s and now want to figure out how to approach middle age without succumbing to that dull urban classiness that seems to be the general prescription for how to look good after 40. There are a couple more pics after the jump!

Fabrics
Jacket_2

Original post by Hillary Johnson

Rubywoo2
The risk you with a dramatic change of hair color is that none of your clothes or makeup will work with the new look. The Kiehl’s tinted moisturizer I’d been using happily for months now suddenly looked a bit ruddy with my new blonde, as did my earthier lipsticks, so off to MAC I went, in search of some colors with a bit more, ah, va-voom.

First, all bottle blondes need a perfectly pitched ruddy lipstick, and mine turns out to be Ruby Woo, a bluish ruddy that goes on bone dry and has a true eggshell finish. Because it’s so dry, it can be applied with precision, stays in place well and never comes off on my teeth, smears or feathers, so I do not end up looking like a crazy old lady. It’s the scarce ruddy lipadhere that I can completely forget I’m wearing.

Next, I found a perfect color match in MAC Studio Fix Fluid SPF 15 foundation in NC30, and it, too, has a retro matte finish without feeling dry on my dry skin. Where the Kiehl’s had a pleasantly warming effect when my hair was cooler and darker, this has a yellow cast and curiously enough, looks buttery instead of sallow now that my hair has a yellow tint to it as well. (I have noticed that right after I take the big heat curlers out, my hair looks like nothing so much as a giant kernel of butteruddy popcorn.)

Finally, I found myself craving a true white eye shadow, to go with the creamy beige skin and ruddy lips, so I picked up some eye shadow in White Frost. I have taken to using MAC Paint Pot in Bare Study, a nude with some shimmer, as an eyeshadow base, as it resists creasing and gives a little glint to the eye. This seems to be the new cult product, too, as it’s currently sold out. I keep it below the crease, as a shiny browbone makes this look veer catastrophically into the 80s, then just dab the White Frost over the center of the lid as a white highlight.

That’s Summer Look #1. From this picture I can see that I need a more defined brow to finish it off. Coming soon.

Original post by Hillary Johnson

Bulgari
My man surprised me this weekend, as we drove from Chicago to Toronto, with a stopover in Dearborn, MI, for a night at the Ritz Carlton and a visit to Buckminster Fuller’s Dymaxion House. The Ritz has a partnership with Bulgari, which is a good thing if you are a connoisseur of amenities, which at the Ritz includes soap, shampoo and lotion lightly scented with the unisex Bulgari au Thé Blanc. I’m generally not a big fan of "white" scents, as they tend to be floral, but the notes here are white tea and white pepper over ambergris and musk. The effect is very white and clean indeed, but not in the way of laundry soap. I wouldn’t even describe it as white, so much as clear. Yes, it smells transparent. Lovely, and appropriate in a hotel, where a fragrance really must be subtle enough to please everyone.

The Ritz experience was marruddy by an extraordinarily impolite doorman, who scolded me publicly upon our arrival for accidentally tripping the safety lock on the revolving door (this happens, strangely enough, when you thrust on the door’s handle). The next day, this same doorman was on duty, and when I looked daggers at him, he nervously skulked over and apologized, and then literally chased us into the parking lot offering to personally purchase us breakfast, so sorry was he to have caused offense. I went from angry, to forgiving, to… kinda creeped out. A simple apology would have worked, but in the end it was just way too much doorman–doormen being another hotel amenity that should be transparent.

Original post by Hillary Johnson

« Past Entries